The lighting and shadow effects of a stage performance, captured in a photo taken around 2004. The rapid changes and dynamic transitions of the theatrical lighting are not an easy challenge, and using film to capture them adds even more difficulty. I miss the time when only TMY and APX100 black and white films were…
Étiquette : zeiss
Une fenêtre
Contax S2 + Carl Zeiss Planar 1.7/50 + Kodak Elite Chrome 100(EB3, expired)
Ancient tree in courtyard (II), Temple of Heaven
There are lots of ancient trees surround Temple of Heaven (天壇, ᠠᠪᡣᠠᡞᠮᡠᡍᡩᡝᡥᡠᠨ). Most of them are over hundreds years old. The surface of Tree looks like histories and scripture. Sony Ilce-7 + Zeiss Vario-Tessar T* 4/24-70
Ancient tree in courtyard (I), Temple of Heaven
There are lots of ancient trees surround Temple of Heaven (天壇, ᠠᠪᡣᠠᡞᠮᡠᡍᡩᡝᡥᡠᠨ). Most of them are over hundreds years old. The surface of Tree looks like histories and scripture. Sony Ilce-7 + Zeiss Vario-Tessar T* 4/24-70
Cats in the spring time
It’s just after winter before the rainy season. Contax 137MA + Industar-50-2 3.5/50 & Carl Zeiss Planar 1.7/50 + Kentmere 400 Minolta Sweet + Maxxum 1.7/50 + Polypan F 50
New Film Test: Shanghai GP3 in 135 Format
Shanghai GP3, the b&w film now is available for 135 (35mm) format after decades. 24 RMB per roll means not expensive. Contax S2 + Carl Zeiss Planar 1.4/50 + D76, 7:30 in 20C.